I want to thank you all for working as hard as you did on Tuesday and I hope that we can do the same today.
AGENDA:
FIRST PERIOD:
1. Review what happened in chapters 5-8.
2. Review characteristics of magical realism.
3. Individually or with a partner, go back over chapters 4-8 and look for elements of these characteristics. When you find them, be sure note page numbers and, if you can, specific lines from the text!
4. Share out with the class. Each person will need to share one element or characteristic they found.
SECOND PERIOD:
1. Finish your SOKOL entries!!
Magical Realism Characteristics
FANTASTICAL ELEMENTS:
Fantastical elements and events are included in an
otherwise “normal” narrative. The narrative maintains a strong contemporary
cultural relevance while reaching beyond the confines of realism and drawing
upon the elements of fable, folktale, and myth.
AUTHORIAL RETICENCE:
The deliberate withholding of information and
explanations about the disconcerting fictitious world. The narrator does not
provide explanations about the accuracy or credibility of events described or
views expressed by characters in the text. The narrator is indifferent, a
characteristic enhanced by this absence of explanation of fantastic events; the
story proceeds with "logical precision" as if nothing extraordinary
took place. Magical events are presented as ordinary occurrences;
therefore, the reader accepts the marvelous as normal and common.
SENSE OF MYSTERY:
The reader must let go of preexisting ties to
conventional exposition, plot advancement, linear time structure,
scientific reason, etc., to strive for a state of heightened awareness of
life's connectedness or hidden meanings.
METAFICTION:
The narrative explores the impact fiction has on
reality, reality on fiction and the reader’s role in between; as such, it is well
suited for drawing attention to social or political criticism. Furthermore, it
is the tool paramount in the execution of a related and major magic realist
phenomenon: textualization. This term defines two conditions—first, where a
fictitious reader enters the story within a story while reading it, making us
self-conscious of our status as readers—and secondly, where the textual world
enters into the reader's (our) world.
REAL WORLD SETTING
The existence of fantasy elements in the real world
provides the basis for magical realism. Writers don't invent new worlds but reveal
the magical in this world. In the binary world of magical realism, the
supernatural realm blends with the natural, familiar world.
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