Tuesday, January 31, 2017

David Sedaris

“Every day we're told that we live in the greatest country on earth. And it's always stated as an undeniable fact: Leos are born between July 23 and August 22, fitted queen-size sheets measure sixty by eighty inches, and America is the greatest country on earth. Having grown up with this in our ears, it's startling to realize that other countries have nationalistic slogans of their own, none of which are 'We're number two!”
David Sedaris, Me Talk Pretty One Day

AGENDA:

Natalie Goldberg exercise--brainstorming for autobiographical essay.

Go to:
http://keepwriting.net/prompts.htm

Continue to read Me Talk Pretty One Day

THINK, PAIR, SHARE:

Discuss and post a reply to questions 1-4.

Begin to work on your own autobiographical "Sedaris" essay.  What techniques that Sedaris uses can you use as you write your own essay? (Refer back to previous posts)


1. What better place to start a discussion of a Sedaris book than with the parts you find the funniest? Which parts make you LOL (laugh out loud)?

2. Are there sections of the book you feel are snide or mean-spirited? Perhaps his criticism of Americans who visit Europe dressed "as if you've come to mow its lawns." Or perhaps the piece about his stint as a writing teacher. Is petulance a part of Sedaris's schtick...his charm?

3. Talk about the Sedaris family, in particular his parents. How do they come across? Whom does he feel closest to? Sedaris makes an interesting statement about his father: it was a mystery that "a man could father six children who shared absolutely none of his interests." Is that unusual?

4. David Sedaris is a descendant of Woody Allen's brand of humor—personal idiosyncrasies or neuroses raised to an art form. What does Sedaris reveal about himself, his insecurities, angst, secret hostilities, and do you find those parts funny or somewhat touching, even sad? Actually, do you like Sedaris as he reveals himself in his book?

5. Sedaris has a number of obvious biases. Identify at least two of them and explain why this bias may exist for him.


 6. Sedaris uses humor to touch on several sensitive topics, homosexuality for instance. Does this comic tone take away from these issues? Does the fact that he makes light of these issues make them easier to discuss?

 7. Several essays begin with a flashback to an earlier time in Sedaris's life, which generally sets up the topic for the essay. Discuss how Sedaris uses this mechanism to continue the themes of growth/self-improvement and self versus society through the book.


8. A number of significant places are discussed in this book, but France is particularly important. Discuss how Sedaris's perception of American life has changed after moving to France.


9. Sedaris writes of his encounters with several different people, and how these people altered his perception of the world and/or himself. Identify at least two of these important people. Discuss how and why Sedaris's perception changed because of this person.
 

Monday, January 23, 2017

End of Semester

Complete your portfolios and enter SOKOL and/or Gannon
For your midterm portfolio, please write a 3-4 page reflection essay on your work so far this year:

Self Reflection  Essay (Poetry/Fiction Units): 

Reflective piece: 3-4 pages, double-spaced:

Write about how you’ve grown as a writer this year, what has been easy/hard for you, what areas you feel you need more work in; reflect on your progress as a writer, a reader, and as a student. 

Write about some pieces you have chosen to include in your portfolio (per genre): why did you include these pieces in your portfolio? How does the piece show your growth and development as a writer in a particular genre? What did you learn about yourself concerning writing from this assignment or project?

Discuss the writing process you used to create the work, where you got your ideas, what you learned about the form or genre of the work as you wrote and revised it, what you learned about yourself as a writer, etc. 

Discuss special projects and reading that had an impact on you. 

Which books you read were of high interest and what did you learn about writing from reading them? 

What did you learn about writing and about yourself through these assignments and courses this year?

Discuss a GOAL you have as a writer for the rest of the year.

HMWK:  Read to pg. 100 in Sedaris for next week!

Next Marking period:

You will be writing a "Sedaris" style essay.  Start brainstorming how to write like Sedaris.
Check out links on blog.

Do well on your exams....

Thursday, January 19, 2017

Contests/Portfolio/ Sedaris

AGENDA:

1. Enter Sokol and/or Gannon.  Post what you entered on the blog (example: I entered a short story in Sokol and two poems for Gannon).

2. Put work from this marking period in your portfolio.  Finish any incomplete work. Monday is last day of marking period for you.

3. David Sedaris: On writing:  Read.
http://ydrstorytelling.blogspot.com/2012/04/david-sedaris-on-writing-write-everyday.html

4. Tricks for Great First Sentences:  Read.
http://thecopybot.com/sedaris-first-sentence/

https://en.wikipedia.org/wiki/Me_Talk_Pretty_One_Day

DISCUSSION: 
Think, pair, share: 
Look at Prezi regarding "Go, Carolina": 
https://prezi.com/wxtfo3kql7pe/david-sedaris-go-carolina/

Now do a similar literary analysis of "Genetic Engineering."  Post your response on the blog.

1. What is the author's PURPOSE (examine the THEME) in writing this essay?

2. ETHOS, PATHOS, LOGOS:  How does Sedaris use ethos, pathos, and logos in this essay?

3. What other strategies does he employ such as satire and wordplay?



Thursday, January 12, 2017

SOKOL/GANNON Entries

AGENDA:

Please work on Sokol/Gannon entries.

Finish any missing work for your portfolios.

Go to library for David Sedaris.

Next book: David Sedaris Me Talk Pretty One Day

David Sedaris

Me Talk Pretty One Day
David Sedaris, 2000
Little, Brown & Company
288 pp.
ISBN-13: 9780316776967


Summary 
Me Talk Pretty One Day contains far more than just the funniest collection of autobiographical essays—it quite well registers as a manifesto about language itself. Wherever there's a straight line, you can be sure that Sedaris lurks beneath the text, making it jagged with laughter; and just where the fault lines fall, he sits mischievously perched at the epicenter of it all.
No medium available to mankind is spared his cultural vision; no family member (even the dynasties of family pets) is forgotten in these pages of sardonic memories of Sedaris's numerous incarnations in North Carolina, Chicago, New York, and France.
One essay, punctuated by a conspicuous absence of s's and plurals, introduces the lisping young fifth-grader David "Thedarith," who arms himself with a thesaurus, learns every nonsibilant word in the lexicon, eludes his wily speech therapy teacher, and amazes his countrified North Carolina teachers with his out-of-nowhere and man-size vocabulary.
By an ironic twist of fate, readers find present-day Sedaris in France, where only now, after all these years, he must cling safely to just plural nouns so as to avoid assigning the wrong genders to French objects. (Never mind that ordering items from the grocer becomes rather expensive.) Even the strictest of grammarians won't be able to look at the parts of speech in the same way after exposing themselves to the linguistic phenomena of Sedarisian humor. Just why is a sandwich masculine, and yet, say, a belt is feminine in the French language? As he stealthily tries to decode French, like a cross between a housewife and a shrewddetective, he earns the contempt of his sadistic French teacher and soon even resorts to listening to American books on tape for secret relief.
What David Sedaris has to say about language classes, his brother's gangsta-rap slang, typewriters, computers, audiobooks, movies, and even restaurant menus is sure to unleash upon the world a mad rash of pocket-dictionary-toting nouveau grammarians who bow their heads to a new, inverted word order. (From the publisher.)

Author BioBirth—December 26, 1956
Where—Johnson City, New York, USA
Education—B.F.A., Art Institute of Chicago
Awards—Thurber Prize; Time Humorist of the Year;
  Advocate Lambda Award.
Currently—lives in London, England, UK

According to Time Out New York, "David Sedaris may be the funniest man alive." He's the sort of writer critics tend to describe not in terms of literary influences and trends, but in terms of what they choked on while reading his latest book. "I spewed a mouthful of pastrami across my desk," admitted Craig Seligman in his New York Times review of Naked.
Sedaris first drew national attention in 1992 with a stint on National Public Radio, on which he recounted his experiences as a Christmas elf at Macy's. He discussed "the code names for various posts, such as 'The Vomit Corner,' a mirrored wall near the Magic Tree" and confided that his response to "I'm going to have you fired" was the desire to lean over and say, "I'm going to have you killed." The radio pieces were such a hit that Sedaris, then working as a house cleaner, started getting offers to write movies, soap operas and Seinfeld episodes.
In subsequent appearances on NPR, Sedaris proved he wasn't just a velvet-clad flash in the pan; he's also wickedly funny on the subjects of smoking, speed, shoplifting and nervous tics. His work began appearing in magazines like Harper's and Mirabella, and his first book Barrel Fever, which included "SantaLand Diaries," was a bestseller. "These hilarious, lively and breathtakingly irreverent stories...made me laugh out loud more than anything I've read in years," wrote Francine Prose in the Washington Post Book World.
Since then, each successive Sedaris volume has zoomed to the top of the bestseller lists. In Naked, he recounts odd jobs like volunteering at a mental hospital, picking apples as a seasonal laborer and stripping woodwork for a Nazi sympathizer. The stocking stuffer-sized Holidays on Ice collects Sedaris' Christmas-themed work, including a fictional holiday newsletter from the homicidal stepmother of a 22-year-old Vietnamese immigrant ("She arrived in this house six weeks ago speaking only the words 'Daddy,' 'Shiny' and 'Five dollar now'. Quite a vocabulary!!!!!").
But Sedaris' best pieces often revolve around his childhood in North Carolina and his family of six siblings, including the brother who talks like a redneck gangsta rapper and the sister who, in a hilarious passage far too dirty to quote here, introduces him to the joys of the Internet. Sedaris' recent book Me Talk Pretty One Day describes, among other things, his efforts to learn French while helping his boyfriend fix up a Normandy farmhouse; he progresses "from speaking like an evil baby to speaking like a hillbilly. 'Is thems the thoughts of cows?' I'd ask the butcher, pointing to the calves' brains displayed in the front window."
Sedaris has been compared to American humorists such as Mark Twain, James Thurber and Dorothy Parker; Publisher's Weekly called him "Garrison Keillor's evil twin." Pretty heady stuff for a man who claims there are cats that weigh more than his IQ score. But as This American Life producer Ira Glass once pointed out, it would be wrong to think of Sedaris as "just a working Joe who happens to put out these perfectly constructed pieces of prose." Measured by his ability to turn his experiences into a sharply satirical, sidesplittingly funny form of art, David Sedaris is no less than a genius.
Extras
• Sedaris got his start in radio after This American Life producer Ira Glass saw him perform at Club Lower Links in Chicago. In addition to his NPR commentaries, Sedaris now writes regularly for Esquire.
• Sedaris's younger sister Amy is also a writer and performer; the two have collaborated on plays under the moniker "The Talent Family." Amy Sedaris has appeared onstage as a member of the Second City improv troupe and on Comedy Central in the series Strangers with Candy.
• If I weren't a writer, I'd be a taxidermist," Sedaris said in a chat on Barnes and Noble.com. According to the Boston Phoenix, his collection of stuffed dead animals includes a squirrel, two fruit bats, four Boston terriers and a baby ostrich.
When asked what book most influenced his career as a writer, he's what he said:

I guess it would be Cathedral by Raymond Carver. His sentences are very simple and straightforward, and he made writing seem deceptively easy—the kind of thing anyone could do if they put their mind to it. (From Barnes & Noble.)



Tuesday, January 10, 2017

Write a Book Review of The Enchanted

AGENDA:

First read over this article about writing a book review:

http://writingcenter.unc.edu/handouts/book-reviews/

Then write your book review of Rene Denfeld's The Enchanted remembering that you must have an argument or thesis about the book. Included in your analysis should be a summary of the book, but the major portion of your review should focus on the writing techniques that Denfeld employs to accomplish what she set out to do with the novel.  What was the writer attempting to do?  Did she succeed?  Cite specific examples that help support your argument regarding the writer's development of theme and characterization?  What about the use of language (any key passages to quote)?
Do not reveal the ending (spoiler alert), but describe how the plot moves to the ending!

Friday, January 6, 2017

More on Magical Realism

Writing Prompt: Magical Realism

The Particular Sadness of Lemon Cake Magical realism is a literary trope or sub-genre in which a mostly dramatic or comedic story gets a touch of fantasy. Generally speaking, it's not always clear what the magic is - whether its caused by drugs, illness, mental breakdowns, weird science, or, indeed, miracles. That's what makes it fun.
Write a story that utilizes magical realism.
The goal is to make the magical realism seem real. Aimee Bender's The Particular Sadness of Lemon Cake, for instance, deals with a young girl who can taste the emotion of whoever made the food she eats. In your world, the magic is simply part of the natural landscape. It doesn't overcome the reality of the main story. It's a facet of the story rather than being the whole story.
The difference then, between fantasy set in contemporary times and magical realism, is that magical realism is only small touches and the rest of the story is played out like your standard, high literary drama. No werewolfs or vampires need apply.

Interesting article:

https://www.edutopia.org/blog/remembering-garcia-marquez-young-writers-magical-realism-rebecca-alber 

Read:
http://www.openculture.com/2014/04/10-short-stories-by-gabriel-garcia-marquez.html

Continue to work on Gannon and Sokol entries.

Finish reading The Enchanted.  TEST on The Enchanted on Tuesday


Wednesday, January 4, 2017

The Enchanted Discusssions/Welcome back/Magical Realism


AGENDA:

Poem for My Son in the Car

 
Jennifer K. Sweeney
illustration

About This Poem

 
“The car is something of a truth portal for my son; from the steady rhythm and blurring landscapes, and with both of us pointed forward, budding philosophies, fears, and confessions arise. When he asked me this question at age five, I was moved in such a way I kept peeling back its layers—what might it mean to understand the darkness of the body. The more I turned over his question, the more darkness felt akin to tenderness.”
—Jennifer K. Sweeney
Read and discuss Bruce Holland Rogers' essay on magical realism.

http://www.writing-world.com/sf/realism.shtml
EQ: What are the elements of magical realism in The Enchanted?

 In small groups, use your discussion guides to focus on a discussion about the novel.  Have someone be the group's recorder and write up a one pager (single-spaced) report for the  group of at least 5 questions from the guide.  Be sure to include all group members names.

Work on Sokol, Gannon entries.
SOKOL:      http://www3.libraryweb.org/ffrpl/programs.aspx?id=494591

GANNON:  http://www.gannon.edu/Academic-Offerings/Humanities-Education-and-Social-Sciences/Undergraduate/English/Poetry-Contest/

MLK Jr. Essay Contest:


http://www.rcsdk12.org/cms/lib04/NY01001156/Centricity/domain/1/bulletin%20board/MLK%20ESSAY%20CONTEST.pdf