Friday, September 28, 2018

Finish Short Stories/ Finish Mudbound for Tuesday TEST

AGENDA:

Morning Reflection:

Complete short stories (first draft)

Finish reading Mudbound for Tuesday TEST---Identifications and Essay

Think about these questions for essay:
9. In reflecting on some of the more difficult moral choices made by the characters --- Laura's decision to sleep with Jamie, Ronsel's decision to abandon Resl and return to America, Jamie's choice during the lynching scene, Florence's and Jamie's separate decisions to murder Pappy --- what would you have done in those same situations? Is it even possible to know? Are there some moral positions that are absolute, or should we take into account things like time and place when making judgments?
 
10. How is the last chapter of MUDBOUND different from all the others? Why do you think the author chose to have Ronsel address you, the reader, directly? Do you believe he overcomes the formidable obstacles facing him and finds "something like happiness"? If so, why doesn't the author just say so explicitly? Would a less ambiguous ending have been more or less satisfying?

Wednesday, September 26, 2018

Nancy Thorpe Poetry Contest/ Hollins University

Oct. 31 Deadline

10th and 11th grade women


LINK: www.hollins.edu/poetry-contest

Mudbound

AGENDA:

1. VIDEO: 15 minutes

2. WORK ON SHORT STORIES

Monday, September 24, 2018

Jamie and Ronsel

AGENDA:

Morning Reflection:
http://www.thewrap.com/mudbound-tiff-2017-video/

https://www.theguardian.com/world/2018/apr/26/lynchings-sadism-white-men-why-america-must-atone 

1. Read over Jamie and Ronsel meeting --pages 204-212---Compare and contrast Film treatment with
VENN DIAGRAM

 We know very early in the book that something terrible is going to befall Ronsel. How does this sense of inevitability affect the story? Jamie makes Ronsel responsible for his own fate, saying "Maybe that's cowardly of me, making Ronsel's the trigger finger." Is it just cowardice, or is there some truth to what Jamie says? Where would you place the turning point for Ronsel? Who else is complicit in what happens to him, and why?


2. Work on historical short story

Hmwk: 
BOA DINE AND RHYME FRIDAY
Finish first draft of story for Friday. Finish novel for Tuesday/TEST

Thursday, September 20, 2018

Mudbound Short Story

AGENDA:

1. Discussion questions.  Post comment.

a. All the characters are products of their time and place, and instances of racism in the book run from Pappy’s outright bigotry to Laura’s more subtle prejudice. Would Laura have thought of herself as racist, and if not, why not? How do the racial views of Laura, Jamie, Henry, and Pappy affect your sympathy for them?
b.  The novel deals with many thorny issues: racism, sexual politics, infidelity, war. The characters weigh in on these issues, but what about the author? Does she have a discernable perspective, and if so, how does she convey it?

2.Video?


3. Work on short story

HMWK:  Read Part II (to page 212) for Monday

Tuesday, September 18, 2018

MUDBOUND SHORT STORY

AGENDA:

1. Makeup quiz:  Go to vocabulary.com and take vocabulary quiz for today's date if you want a higher test score

2. Register for Scholastic Art and Writing contest:
https://www.artandwriting.org/what-we-do/the-awards/how-to-enter/

3. Think, Pair, Share:  Mudbound Discussion questions.  Post a reply in comments.  Be sure to list names of partners for credit.

  • 3. Who gets to speak and who is silent or silenced is a central theme, the silencing of Ronsel being the most literal and brutal example. Discuss the ways in which this theme plays out for the other characters. For instance, how does Laura's silence about her unhappiness on the farm affect her and her marriage? What are the consequences of Jamie's inability to speak to his family about the horrors he experienced in the war? How does speaking or not speaking confer power or take it away?

  • 4. The story is narrated by two farmers, two wives and mothers, and two soldiers. Compare and contrast the ways in which these parallel characters, black and white, view and experience the world.

  • 5. What is the significance of the title? In what ways are each of the characters bound—by the land, by circumstance, by tradition, by the law, by their own limitations? How much of this binding is inescapable and how much is self-imposed? Which characters are most successful in freeing themselves from what binds them?


4. Read over two articles on using multiple point of view in fiction:
https://www.nownovel.com/blog/points-of-view-8-tips/
https://www.tckpublishing.com/how-to-write-from-multiple-viewpoints-headhopping/ 

Multiple Storylines

Not all books have a single narrative running through them, after all. Many popular novels take a “two lines, no waiting” approach to their storytelling, alternating between two or more story lines that occur simultaneously but don’t truly overlap until much later in the book.
Consider the always-popular example of the police detective and the private investigator each investigating seemingly unrelated crimes, only to discover that they’re working the same case in the third act. Or look to classic “pursuit narratives,” like Inspector Javert tracking down Jean Valjean in Les Miserables or Chigurh pursuing Moss in No Country for Old Men.

These separate story lines are clearly linked to each other, yet it is their separation that creates the tension and intrigue in their respective books. Adding additional perspectives lets you weave story lines together in intricate patterns and to later join them together for maximum dramatic impact.


5. Research; Work on your padlet (your historical research) for your short story and post URL for class participation credit on blog

6. Writing:  Work on Mudbound short story

HMWK: Read to pg. 184 for Thursday

Friday, September 14, 2018

Quiz Vocabulary and Mudbound

AGENDA:

Quiz  Mudbound vocab on vocabulary.com
Mudbound quiz

Work on padlet for short story assignment

Mudbound video

HMWK:  Read to pg. 130 in MUDBOUND (Part 1) for Tuesday/Study vocab for make up quiz

Wednesday, September 12, 2018

Town meeting--periods 1 and part of 2

Work on padlet

Study vocabulary and read for quiz on Friday

Sunday, September 9, 2018

Mudbound Writing Assignment

EQ: How does reading Mudbound relate to your major writing assignment? 


Mudbound and the other literary works we will read are models for your writing.  They are EXEMPLAR TEXTS.  Your writing assignments correspond each marking period to aspects of contemporary style and themes.
STYLE:   Multiple perspectives and historical fiction
THEMES: Racism post WWII in the American South, families,
African-American soldiers in WWI, life in the Mississippi Delta farming 

DUE DATE: week of Sept. 26, first draft 

What we're actually looking for in your short story now that you have brainstormed an idea and have begun working on it: 

1. Length: minimum 5 pages, Times New Roman 12 pt. font, double-spaced

2. Historical Setting: Set your story in the time and place you are interested in and have done research about.  The details of this time period should be apparent in your story.  Use a padlet or the graphic organizers to take notes.
http://padlet.com/wall/ihgzk6ztes 

3. Characters:  Just like Mudbound, your story should have multiple perspectives and be told by at least 3 characters whose voices are interwoven throughout the story.
Switch between characters by skipping a space and putting the character's name in capital letters centered above his or her section.   Write in the first person point of view from each character's unique perspective.

4. Conflict:  Your story should have a significant conflict or incident that involves your characters.  Create a key moment for the characters to interact if possible.  Be sure to resolve the conflict.

5. DETAILS: As always, SHOW, DON'T TELL

Mudbound INTRO

AGENDA:

Morning reflection:  Intro to Mudbound

https://www.youtube.com/watch?v=p7ToVdAsBv4

Post comment

 

Go to website:
http://www.npr.org/templates/story/story.php?storyId=88195380

Listen to interview on NPR
Read excerpt

Interview with Hilary Jordan:

http://www.bookbrowse.com/author_interviews/full/index.cfm/author_number/1538/Hillary-Jordan


Hilary Jordan reading Laura:

https://www.youtube.com/watch?v=NU1HrhozQOA

More about Mudbound:

http://www.hillaryjordan.com/books-mudbound.php

About this book

In Jordan's prize-winning debut, prejudice takes many forms, both subtle and brutal. It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm --- a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not --- charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion.

The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Barbara Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still." 


Discussion Questions 

1. The setting of the Mississippi Delta is intrinsic to Mudbound. Discuss the ways in which the land functions as a character in the novel and how each of the other characters relates to it.

2. Mudbound is a chorus, told in six different voices. How do the changes in perspective affect your understanding of the story? Are all six voices equally sympathetic? Reliable? Pappy is the only main character who has no narrative voice. Why do you think the author chose not to let him speak?

Crtical Praise
"A supremely readable debut novel... Fluidly narrated by engaging characters . . . Mudbound is packed with drama. Pick it up, then pass it on.
— People, Critic’s Choice, 4-star review


"A compelling family tragedy, a confluence of romantic attraction and racial hatred that eventually falls like an avalanche... The last third of the book is downright breathless... An engaging story." 

 Washington Post Book World


"In Hillary Jordan's first novel, Mudbound, the forces of change and resistance collide with terrible consequences." 

 The New York Times


"Stunning... You are truly taken there by Jordan's powerful, evocative writing and complex characters." 

 Boston Globe

Hillary Jordan reading an early chapter of Mudbound

Follow along

Multiple Perspectives:

Objective: Part 1 The author of this book wrote in a first person narrative. These first chapters introduce us to all the different the narrators, and we learn that this book will be told through their perspectives.
1) Genre Introduction: Give a short introduction about first person narrative and other POVs. Explain what it is, how it is used, and why an author might choose this form of narrative for a story like this one.
2) Personal Reaction to Text: Read the introduction with the class. How does this kind of narration make you feel? Do you like it? Do you think it will enhance the plot? Why or why not? What do all the different viewpoints do to the narrative? Why is this not through the eyes of one main character?
3) Small Group Activity: Split the class into groups and assign each group a different form of narrative -- i.e.: third person, second person, omniscient, etc. Have each group re-write this short chapter using their assigned form of narrative. Have each group present their work. Discuss which one was the most effective. Do you think the author made the right choice? Why or why not?
Historical fiction
Objective: Part 1 "Mudbound" fits into a unique genre of literature called Historical Fiction.
 1) Introduction of Genre: Introduce to the class the concept of the historical fiction style of writing. Present the pros and cons of this style of narrative and list some of the reasons why an author would choose this style to write in. Present some examples of this style from books that they have read, or will read later with the class.
2) Group Activity: Split the class into groups and assign each group a different part of these chapters. Have each group study their portion and work together to write a short response to the historical fiction style of that portion. Allow each group some time to present their prepared information.
3) Class Discussion: Read aloud with the class the part where the narrator, presents the different facts about the climate in the south at this time -- i.e.: the politics, the war, the different occupations, the crops, the weather, the relations with the north, etc. Discuss this with the class. How does this language enhance the historical fiction style of the book? How does this make this information a little more believable? Why do you think keeping this informational tone was so important to the author? What did you learn through this dialogue that helped you understand this book and setting better?

ACTIVITY: Finish POV exercise.

HMWK:  Read to page 70 for Wednesday. Study vocabulary for quiz on Friday.

Mudbound vocabulary

https://quizlet.com/24619045/mudbound-by-hillary-jordan-vocabulary-list-flash-cards/